It’s complicated (part 3) – crossing thresholds and the scrapheap challenge – #BolamAt60 #BolamProspective

On the scapheap.

Here’s the game plan. This might sound coherently planned but that is not the way I work at all. I use the full-body immersion technique; I throw myself into whatever it is I think that I’m doing at the time and then thrash about in the murk for however long it takes me to work out what I am doing, allow myself to float up to the surface and skim off whatever scum has accumulated on the surface.

Sounds random but it works for me. Kinda.

I was talking to a friend / fellow artist recently and she described how she makes a plan of how she is going to edit a video. I have never done that, not once, I throw everything on the timeline and watch it (usually whilst listening to random music) until something happens. I’ve never been short of ideas but it never starts with much of a plan.

This is something I won’t miss. The only bit I’m tempted to keep is the foam spacer.

Anyway, after a rather extended period of utter confusion, I have decided what I am going to do next. I’m going to take Bolam TV to the next level.
https://bolamtv.wordpress.com/

I have always been a hoarder although I try to fight it, but a few things have happened recently that have pushed me over more than one threshold. On my 50th birthday, I started getting targeted advertising via Facebook for funeral services. No really, that very day. Once I passed the 55 year threshold I received, with no prior warning, an NHS appointment to have an anal endoscopy as part of their routine bowel cancer screening programme. Less than a week ago, when I was picking up my car from the repair garage, I had one of my first experiences of a smiley young woman talking to me as if I was some sort of imbecile, simply because my beard is grey (the text does not convey the pity in her voice):
“It’s in bay 3, on the left. Do you want me to walk you out there?”
“No, thank you.”

How quaint!

I’m not sure what is coming next but an impending major threshold will be when I’m 60 and I have no doubt it will be accompanied by a new raft of reminders of my diminishing responsibility, accelerating mortality and sutability for nothing more than the scrapheap. It’s a sobering experience to know that some people now view you as unnecessary simply due to your age. I am sure I have done it too, but smehow I never thought it would happen to me.

The only appropriate response is to say fuck that.

Despite my own grumpiness about the progressive failure embodied by the human condition, I have decided to board the party boat, celebrate and vapourise, and this is when I get back to the point.

Despite being a lifelong hoarder, the shared approaching mortality of the vintage Macs that I have been saving for years has precipitated a decision to get rid of them, and having crossed that bridge it seems I have opened a floodgate whilst simultaneously mixing metaphors. Lots more stuff is being dumped. When I say dumped, I mean donated to good causes or else responsibly recycled.

90 reams of A4 paper donated to a primary school.

A great pile of stuff. the biggest clearout I’ve had in years.

I have decided to partially clear my studio in order to make into a more functional television studio / impromptu discoteque. The Bolam TV broadcasts I made during Open Up Sheffield 2019 were a major success (as an experiment) despite being very clunky. I’m okay with the clunkiness and I like the reveal of being able to see exactly how everything is done, but at the same time I want to execute it as well as I can within the limits of my budget and ability.

Day two is in two parts because the laptop crapped out on me.

Day three is still not available because it was blocked due to a copyright violation. I played a couple of Madonna videos but they were the ones published by the record company so I effectively ripped them off when the broadcast was finished and published as an archive. I been trying to trim the offending material out and re-publish it but keep coming across a strange error that I have been unable to solve. There’s some good stuff on day three so stand by.

I will also be resurrecting a long-stalled project by the name of Flying Monkey TV which has changed shape a number of times but will resurface as a much more automated timelapse capture system in the studio.
https://flyingmonkeytv.wordpress.com

After a rather long gestation, I am under way towards a regular Bolam TV broadcast – don’t expect anything immdiately but imagine a surreal version of Blue Peter for adults with elements of The Muppets Show, Max Headroom, Top of the Pops, After Dark and early Eurotrash, and sometimes not safe for work.

You will be witnesses.

Bolam TV – “It’s all about me!” – Open Up Sheffield at Replicast Studios 4, 5, 6 May 2019 #OpenUpSheffield #RichardBolam #OpenStudios

After the world-changing success of Retrospective: Richard Bolam at 50, I have decided to do it all again when I’m 60.

But why?

Why not? The idea for having my own major retrospective came after seeing the Paolozzi at 80 exhibition in Edinburgh in 2004 and I decided to celebrate my own retrospective at what seemed like a significant year. The satirical nature of the project was in no way a criticism of Paolozzi (quite the opposite) or the curation of the show, but I was kind of scandalised by the gift shop. Every last thing that could have been stamped with Paolozzi at 80 was present in the shop; notebooks, pencil erasers, plastic rulers – you name it. But the one thing I wanted was not there – the fat coffee table book that is always produced for such comprehensive retrospectives.
https://richardbolamat50.wordpress.com/2012/08/06/hello-world/

That is what gave me the idea to produce all the memorabilia for my own more modest review. I have never been short of ideas and I produced a lot of stuff but, with hindsight, I allowed myself to get distracted with making new things, even though they were made out of old things, and I took my eye off the ball somewhat. What I should have concentrated on is my own version of that coffee table book. In my case it’s a multi-part magazine produced in the style of the old Exchange & Mart small ads magazine that I used to pore over in the 1970s.
https://en.wikipedia.org/wiki/Exchange_and_Mart

I called mine “Catalogue” and planned to produce 12 issues as a part-work magazine for each month of my year at 50 (with an extra one for some reason I can’t remember at the moment). I only finished the one issue and was very satisfied with the look and feel of it. Afterwards, I realised that was the most important element of the work and should have taken priority over all the other stuff. In what I consider to be a very satisfying symmetry, I failed to produce the one thing that really needed to have been finished.

The end of the year a bit of an anticlimax, and I regretted not finishing the Catalogue. That didn’t last long, and I decided just to do the whole thing again when I’m 60.
A friend asked me what comes after the retrospective and I said obviously the prospective. That is the period we are in now – Prospective: Richard Bolam until 60 and then the next stage will be Metaspective: Richard Bolam at 60 and the countdown begins on my 55th birthday, 24 April 2019. I started preparing for Bolam at 50 a little under two years before and that was nowhere near enough time, so for Bolam at 60, I’m starting five years before.

I will be taking part in Open Up Sheffield 2019 on 4, 5, 6 May at Replicast Art Studios, 5 East Bank Road S2 2RL (opposite the Texaco garage). I am one of a very diverse group of artists in the building, so please come along and say hello. More details to follow.

I will be starting my own live broadcast, internet tv channel, Bolam TV, and the Open Up weekend will be a testbed for my dubious television hosting skills. There might be a few test broadcasts before then, so stay tuned.